{"id":7040,"date":"2018-02-23T10:18:43","date_gmt":"2018-02-23T09:18:43","guid":{"rendered":"http:\/\/www.popdepresija.com\/?p=7040"},"modified":"2018-02-25T09:03:19","modified_gmt":"2018-02-25T08:03:19","slug":"sasa-tkacenko-i-vvhile-ruine-buducih-utopija","status":"publish","type":"post","link":"https:\/\/www.popdepresija.com\/?p=7040","title":{"rendered":"Sa\u0161a Tka\u010denko i VVhile &#8211; &#8220;Ruine budu\u0107ih utopija&#8221;"},"content":{"rendered":"<figure id=\"attachment_7041\" aria-describedby=\"caption-attachment-7041\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7041\" src=\"http:\/\/media.popdepresija.com\/2018\/02\/NKRS2601.jpg\" alt=\"\" width=\"650\" height=\"433\" srcset=\"https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/NKRS2601.jpg 2048w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/NKRS2601-300x200.jpg 300w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/NKRS2601-768x512.jpg 768w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/NKRS2601-1024x683.jpg 1024w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/NKRS2601-660x440.jpg 660w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption id=\"caption-attachment-7041\" class=\"wp-caption-text\">Foto: Nemanja Kne\u017eevi\u0107<\/figcaption><\/figure>\n<p>Beogradski dvojac VVhile, koji \u010dine Andrija Spi\u010danovi\u0107 i Stevan \u0106irovi\u0107, tri godine posle objavljivanja debitantskog albuma &#8220;More&#8221;, predstavlja novo muzi\u010dko izdanje. Ovoga puta to je muzika za rad &#8220;Ruins of Future Utopia&#8221; umetnika Sa\u0161e Tka\u010denka, tridesetominutna instrumentalna improvizacija snimljena u\u017eivo iz jednog &#8220;cuga&#8221;, <a href=\"https:\/\/www.facebook.com\/events\/1617893798278429\/\" target=\"_blank\" rel=\"noopener noreferrer\">koja \u0107e biti predstavljena na istoimenoj izlo\u017ebi u petak 23. februara u 19h, u prostoru galerije Eugster, Viline vode bb<\/a>.<\/p>\n<p><em>Dan posle izlo\u017ebe (24. februara) na stranici <a href=\"http:\/\/vvvhile.bandcamp.com\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/vvvhile.bandcamp.com<\/a> bi\u0107e mogu\u0107e da se uradi pre-order vinilnog izdanja &#8220;Ruins of Future Utopia&#8221; koje \u0107e biti dostupno po\u010detkom leta, kao i da se preslu\u0161a i preuzme.<\/em><\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2566759602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/vvvhile.bandcamp.com\/album\/ruins-of-future-utopia\">Ruins of Future Utopia by VVHILE meets SA\u0160A TKA\u010cENKO<\/a><\/iframe><\/p>\n<p><strong>Ruins of Future Utopia<\/strong><\/p>\n<p style=\"text-align: right;\"><em>Dok su u romanti\u010darskoj poeziji ru\u0161evine \u010desto s elegijskim \u017eanrom i razmi\u0161ljanjima o minuloj slavi, ovde je ru\u0161evina projekovana u budu\u0107nost, ili ta\u010dnije, pro\u0161lost i budu\u0107nost su jedno. I vreme i pro\u0161lost se skupljaju i \u010din se\u0107anja preobra\u017eavaju u razglobljavanje zaborava.<br \/>\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Budu\u0107nost Nostalgije, Svetlana Bojm<\/p>\n<p>Bob Dilan je jednom u svojoj &#8220;Theme Time Radio Hour&#8221; emisiji rekao da muziku ili voli\u0161 ili ne. I da su akordi, bitovi, rifovi, rime, stihovi, semplovi&#8230; sve neophodni elementi koji \u010dine muziku tako magi\u010dnom i bitnom. Iako takav pogled na muziku, a i na umetnost generalno, svima nije ba\u0161 lako da prihvate, u ovom &#8220;slu\u010daju&#8221; treba ga shvatiti bukvalno i prepustiti telu i mozgu da podsticaje prihvate kako im odgovara. \u0160ta \u010dini &#8220;<strong>Ruins of Future Utopia<\/strong>&#8220;? Sa jedne strane je <a href=\"http:\/\/www.eugster-belgrade.com\/artists\/sasa-tkacenko\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Sa\u0161a Tka\u010denko<\/strong><\/a> i njegova vizija sada\u0161njosti u pro\u0161losti &#8211; sa druge <a href=\"http:\/\/vvhile.org\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>VVhile<\/strong><\/a> i njihov eho logora\u0161ke pesme &#8220;<strong>Bile\u0107anka<\/strong>&#8220;. Zajedno oni stvaraju platformu za se\u0107anja i ose\u0107anja, naizgled kolektivna i univerzalna a na kraju sasvim li\u010dna.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7044\" src=\"http:\/\/media.popdepresija.com\/2018\/02\/size_43_72f3d8e46aacf59a2bd2f542ecbe6098.jpg\" alt=\"\" width=\"650\" height=\"488\" srcset=\"https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/size_43_72f3d8e46aacf59a2bd2f542ecbe6098.jpg 1200w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/size_43_72f3d8e46aacf59a2bd2f542ecbe6098-300x225.jpg 300w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/size_43_72f3d8e46aacf59a2bd2f542ecbe6098-768x576.jpg 768w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/size_43_72f3d8e46aacf59a2bd2f542ecbe6098-1024x768.jpg 1024w, https:\/\/www.popdepresija.com\/wp-content\/uploads\/2018\/02\/size_43_72f3d8e46aacf59a2bd2f542ecbe6098-660x495.jpg 660w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><br \/>\nPesma <em>Bile\u0107anka <\/em>u radu <em>Ruins of Future Utopia <\/em>muzi\u010dki dvojac VVhile koristi kao polaznu ta\u010dku za gra\u0111enje jednog od radova na izlo\u017ebi istog naziva, beogradskog umetnika <a href=\"http:\/\/sasatkacenko.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sa\u0161e Tka\u010denka<\/a>. Ona funkcioni\u0161e na sli\u010dan na\u010din kao i poema Torzo Josifa Brodskog, kako konstatuje Svetlana Bojm, kao medijum u razglobljavanju zaborava. Originalna pesma nastala je u specifi\u010dnim uslovima 1940. godine u logoru u Bile\u0107i u kome su pred po\u010detak Drugog svetskog rata zatvarani jugoslovenski intelektualci levi\u010darskih uverenja. Skovana od strane zato\u010denih disidenata, pesma se spontano \u0161irila i vrlo brzo postala simbol otpora i istrajnosti u borbi za ideale. U verziji iz 2018. koju izvodi VVhile original se pojavljuje u obrisima, poput eha koji nas budi iz sna u koji smo utonuli na ru\u0161evinama izneverenih revolucija, neostvarenih utopija. Njihova pesma je tridesetominutna slika sveta u kome \u017eivimo, umornog i uspavanog diva koji ne vidi da sada\u0161njost sve vise podse\u0107a na istoriju koju svi \u017eelimo da zaboravimo.<\/p>\n<p><em>Ruine budu\u0107ih utopija<\/em> su, najkra\u0107e re\u010deno, o nostalgiji \u2013 ali ne o onom ose\u0107aju sete za koji svi znamo, ve\u0107 o nivou nostalgije o kom se \u0107uti, o njenoj zavodljivoj strani koja nas poziva da joj se stalno vra\u0107amo. Kroz kolekciju re\u010di, slika i simbola, Tka\u010denko stvara platformu za se\u0107anja i ose\u0107anja, naizgled kolektivna i univerzalna a na kraju sasvim li\u010dna. Melanholija je tuga za apstraktnim subjektom, u slu\u010daju jedne beogradske izlo\u017ebe to je Jugoslavija, ali u \u0161irem smislu Jugoslavija postaje sinonim za bilo koju drugu utopiju. Kroz posmatranje ruine, ose\u0107aj nedostajanja se stalno ponavlja; kroz trideset minuta pesme; na loop, do kraja.<\/p>\n<p><strong>Izlo\u017eba \u0107e biti otvorena u petak 23.02 u 19h.<\/strong><br \/>\n<strong><a href=\"http:\/\/www.eugster-belgrade.com\" target=\"_blank\" rel=\"noopener noreferrer\">Eugster || Belgrade<br \/>\n<\/a>Viline bb<\/strong><\/p>\n<p>Location lik:<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m14!1m8!1m3!1d11319.274275628484!2d20.4837782!3d44.8252607!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x0%3A0x8700e3e95172379d!2sEugster+%7C%7C+Belgrade!5e0!3m2!1sen!2srs!4v1519294095952\" width=\"600\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beogradski dvojac VVhile, koji \u010dine Andrija Spi\u010danovi\u0107 i Stevan \u0106irovi\u0107, tri godine posle objavljivanja debitantskog<\/p>\n","protected":false},"author":1,"featured_media":7041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-7040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vesti"],"_links":{"self":[{"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/posts\/7040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7040"}],"version-history":[{"count":6,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/posts\/7040\/revisions"}],"predecessor-version":[{"id":7051,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/posts\/7040\/revisions\/7051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=\/wp\/v2\/media\/7041"}],"wp:attachment":[{"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.popdepresija.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}